Dancing at Fairy Creek

Just when the world seems
darker than dark, as I strive
to hang onto some hope
for the fate of the world,
comes a note of justice and sanity,
as a judge throws out the injunction
under which police brutally assaulted
the land defenders at Fairy Creek.

On the news, the forest defenders
were dancing.

The police packed up their vehicles
and went away. No more tear gas
sprayed into faces, mouths, genitals.
No more heavy equipment inches
from human bodies. No more toppling
young people from 30-foot heights
to the ground. No more broken bones.
No more crushing peoples' cars 
or use of "pain compliance."

The trees have been falling at Fairy Creek.
They are still in danger. But for
this one moment in time,
after one year of putting their bodies
on the line for the ancient trees,
after 1100 arrests, there is
this moment of joy, of relief,
of the possibility of reason and hope
in a greed-crazed world.

On the news, the forest defenders
were dancing.


This poem was inspired by the events it speaks of. The judge said that police behaviour carrying out the injunction reflected badly on the court, so he did not renew it. It was also sparked by the poem "Collecting Light" by Deborah Cooper, which closes with these lines:

"I save up every scrap
of light,
because I know that it will take
each tiny consolation
every day
to mend the world."

That it will. And every little bit helps. We can't give up, ever.

Saying the Names With Love*

 

* (after the famous poem "Say the Names"

by  the beloved Canadian poet Al Purdy)

Say the names say the names

and listen .........

these names that forever

sing through my soul,

that came alive for me

in the forests

and along the wild shores

of Clayoquot Sound.

Bedwell Sound and Lemmens Inlet,

Fortune Channel and Sulphur Passage,

those names ring through my heart

in kinship with those who put

their bodies on the line

- and still do -

-No Pasaran!-

to protect the Old Ones

under threat by

corporate greed.

Drumbeats in the early morning

along the Kennedy River bridge

still tap tap tap in my heart

along with my passion

for the trees, for the wild shores,

for the curving slopes

of my wild spirit's home.

Hesquiaht, Ashousat,

Kakawis, (Basket of Berries),

sound and resound

in my heart,

like the marine radio

my heart was once attuned to,

fishermen repeating the beloved names

above the static,

laughter and messages

and "Choo!"

the Tla-o-qui-aht goodbye.

Wickaninnish and Rosie Bay

and Combers, Ahous Bay

where the grey whales

stop to feed....

riding out in a zodiac,

the seaspray in my face,

the eagle's cry in my heart,

blue herons on the rocks,

little puffins bobbing on the waves -

every inch of land and sea and sky

beloved.

Rain slickers and rubber boots,

the endless winter rain, and gusts of wind

that bent us over as we struggled

across the streets in winter gales,

and the wild wild roar of the waves

crashing on the shore,

while the foghorn mooed

at Lennard Light

and all the seabirds hid themselves

to ride out the storm.

Lone Cone standing tall,

and Catface Mountain,

peeping across at the

womanly slopes of Meares,

the sentinels and guardians

of our village,

orcas breeching in the channel

to our joyous shouted "thank you!"

and, across the bay,

the twinkling lights of Opitsaht,

little boats chugging back and forth

across the harbor,

heading home at twilight.

Say the name of the wild Megin River,

carving itself through root-packed shores

of cedar and salal,

and watch the wild wolves

pacing down to drink,

a black bear ambling along the shore

looking for fat salmon.

Hear the eagle's call
at Tonquin,

the waterfall singing at Tofino Creek,

or point the bow of your canoe

up the Cypre River.

Paddle hard for Browning Passage,

beat the tide,

or turn off along Tofino Inlet,

when the surge returns

to cover the mudflats.

Pull into the cove at Windy Bay.

Shelter there awhile.

Say the names say the names

and my heart weeps with love

for the otherworldly beauty

and the kinship with the wild

that lived inside my soul

when I lived there.

My heart will say these names

for as long as I live

and, when I die,

say these names over me

and bury me on a windswept dune

beside the sea,

so it can forever sing me to sleep

in my heart's home.

Say the names say the names...

cherish these wild and pristine places.

Stand against the corporations

who would clearcut and strip

these beloved, necessary

and endangered slopes.

Say the names, my friends,

before they all

are gone.

for my prompt at earthweal: Say the Names, inspired by Canadian poet Al Purdy's famous poem of the same name. I wrote this poem when I lived inland, missing this beloved place, with every name singing a song of love and longing inside me. And now I am here, so grateful. We blockaded in 1993 to stop the clearcutting. Since then, so many trees have come down due to over-development. And a mining company was eyeing Catface Mountain, to our horror. One never has the assurance that forests are safe, when one lives in an extractive capitalism society.

Old Houses speak in Hollow Whispers

Old houses speak

in hollow whispers.

This one has its own

story to tell.

The roof sagging into itself,

front steps rotted

and all askew like crooked teeth,

the door creaks slowly open.

Dust motes dance and whirl

in the afternoon sun.

There is the scent of mothballs,

and ancient cats.

The stairs groan, remembering

laughing boys and girls

pounding up and down,

sliding down the bannister.

On the walls are smudges and handprints,

cracked peeling wallpaper,

pale green, with big pink cabbage roses.

Tattered and dusty mesh curtains

hang limp and grey at filmy windows.

In the hallway,

up one side of the doorjamb,

back by the kitchen,

are penciled names:

William, Henry, Emily, Rose.

Upstairs, the small rooms

are filled with old iron bedsteads,

and remembered echoes

of whispered nighttime conversations

from a century ago,

when all the world

was young.

Two elderly sisters lived here

from the time they were small.

They were young women in this house,

dressed in sprigged cotton,

sitting on the porch

on cool summer evenings.

The brothers came in to dinner

sweating, silent, sunburnt

from the haying.

Suitors, in time, arrived on horseback

to pay their calls,

the young people sitting,

stiff and uncomfortable,
in the parlour,

teacups and saucers clinking

in their nervous hands.

How the sisters

whispered and giggled

with each other, later, upstairs

those soft summer evenings

before sleep,

dreaming their innocent dreams.

But life had other plans.

Their father died, and then their mother.

The brothers married off.

The two sisters stayed on,

in the house where they were grown,

and somehow, in the daily routines

and passing of the quiet hours,

the life they had dreamed of

passed them by.

They lived out their days

together

in this shabby, down-turning house.

Every evening, through all the years,

the two sisters walked,

slowly, with their canes,

along this country road.

Last time we passed,

only one aged sister was left,

standing, staring,

at the end of the footpath,

watching her days

slowly wind themselves down,

one by one.

Tonight, 
no sister standing at the gate,

the house stands empty,

as it has not been since 1915.

How those echoes must whisper

like disappointed ghosts

through all

the dusty, barren rooms.

A story for the Sunday Muse. There is such a house with two elderly sisters,  out the end of Beaver Creek, in Port, where I lived before. Empty now of all but memories.

A Landscape Longing for Repose

 

I like for you to be still;

mindless chatter

makes my head hurt.

I prefer to listen to bees,

and the small sound the hummers make

when they dive-bomb the nasturtiums.

I like for you to be still.

At the shore, there are wave-songs,

joyously singing melodies

I need to hear.

They say, if you are quiet, and listen,

you can hear ants singing by rubbing

their back legs together.

I have been listening ever since

for their song.

In the forest, there is a symphony

of leafsong and summer breeze,

the timpani of light raindrops on salal.

But you have to be silent

to hear the sweet sounds

of nature at her work.

One must still one's heart

to notice the sky

casting a benign, bemused glance

upon we earthlings,

as we scurry about like demented ants

on a landscape longing for repose.

A poem from 2019 based on the title of Neruda's poem "I Like for You to be Still". Shared at earthweal's open link.

Mother Trees

Let's tiptoe with the Druids

into a world of green:

tall, sentient, conscious beings,

who help us breathe,
unseen.

Do you feel that thrumming

in the centre of your chest?

Trees, like elephants, 
communicate
with every forest guest.

Look for the Mother Tree,

the most vibrant  in the glen.
She supports all life around her,
across the grove and back again.

I wonder at the fear they share
across the forest floor,
holding hands, and trembling,
at the chainsaw's
mighty roar.

Desperately, the forest tries
to dream their dreams in green,
but are waking to a nightmare
with every chainsaw's scream,
laying waste the ancient world of green
that took so long to grow,
before the dollar bill became
the only god we know.

At Fairy Creek, the Druids weep
as the Standing People fall,
reducing our chances of survival.
Death to one
is death to all.

There was a time on earth, many millennia ago, when carbon dioxide was so great human life could not be sustained. Then came the ferns and trees, making the earth habitable, cooling the planet and allowing us to breathe. "Thus," says Diana Beresford-Kroeger, in To Speak for the Trees, "cutting down trees, our life support system, is not only a suicidal act; it is a homicidal one, too."

She says the feeling in our chest we get in the forest is infrasound communication that trees, like elephants, emit over great distances. This feeling is called mothaitheacht. Diana was taught by Druids, who believe that trees are conscious, sentient and feeling beings, who can think, and maybe even dream. I hate to think what they must be feeling in Fairy Creek right now, as some of the oldest trees left on the planet are being mowed down by rabid greed.

for Brendan at earthweal: A Timbered Choir

Collateral Beauty*

 

My grandkids, when they were younger

This world is so beautiful,
with moments of heart-stopping wonder,
when we catch our breath in awe,
at the myriad of small miracles
unfolding before us every day.

This world can seem so dark,
with the ignorant, entitled and ugly forces
that seem to be trying
to tip the balance of light into darkness
across the planet.
Sometimes, it feels like
they are winning.

Let's always remember
the moments of collateral beauty,
when we realize our 
profound connection
to everything.
Let's cling to our belief
that - no matter what -
this beauty is the way
it was always meant to be.

Inspired by watching the film "Collateral Beauty" with Will Smith this afternoon. What is that quote? "Life is not measured by the number of breaths we take, but by the moments that take our breath away."

Wild Woman Knows What She Knows

 

It is time, Wild Woman,

to bring forth all your gifts,

for the seasons now are quickening,

and swift.

Sing out your songs,

sing loud and strong and clear.

Write all your poems,

to say that you were here.

A Wild Woman creates her own way.

She runs with her inner wolves,

and she has a lot to say.

She speaks what truth she knows,

avoiding angst or wrath.

She follows her intuition,

along the unmarked path.

(Truth:

Wild Woman knows what she knows,

and she'll share her wisdom well

before she goes.)

Follow these pawprints into the forest,

Sister mine.

They will lead you to a home

Grandfather Cedar makes so fine.

An owl with piercing yellow eyes,

a cat with Cheshire grin,

will be on the doorstep watching,

waiting to let you in.

There is a conjuring old woman

living there,

her spirit fixed between

the sky and earth.

She has lived apart from others

since her birth,

doesn't care at all what people think.

Listen well to every incantation,

for all of them

are linked.

Wild Woman has fallen bewitched

by the beauty of the earth.

Before the fire,

she is singing over the bones.

When she finishes her song,

(and it won't take very long),

she will welcome you

to the Sisterhood of Crones.

An old poem shared with earthweal's open link.