[image from google]
for Hedgewitch's prompt at dVerse :
to use repeated lines to underline the point of a poem.
***** ***** ***** *****
Nostalgia is the landscape of the old,
the populace of weathered hearts,
whose eyes easily tear,
whose distant looks remember
times of silver, times of gold;
nostalgia is the landscape of the old.
It's hard to live a life without regret:
with hard-won wisdom wishing
we could do it all again,
but better, smarter, wiser.
We know we cant, and yet,
it's hard to live a life without regret.
The old look back more often than ahead.
The road back longer,
rich in memory;
the road before one short,
with a finite point we dread.
The old look back more often than ahead.
Those golden times, they shine
with such a glow,
yet more often it's our failings,
all that then we did not know,
that we think of most, with rue.
But even so,
those golden times, they shine with such a glow.
The winding road from birth to death is long.
We got here faster
than we ever dreamed,
and time is speeding up its pace,
rushing us, it seems.
The winding road from birth to death is long.
Remembering our lives down all the years,
keeps emotion stirred,
us on the brink of tears,
for all now gone, no more to ever be,
those shining, golden lives
down all the shambling years.
Poetry, memoir,blogs and photographs from my world on the west coast of Canada.

Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts
Sunday, September 25, 2011
Sunday, September 5, 2010
Love Poem From the Past
[Today I posted a love poem at Poetry Pantry for Poets United that made me think about that man in the 1980's I never really stopped loving. The other poem can be found here:
http://stardreamingwithsherrybluesky.blogspot.com/2010/07/these-days.html
I decided to post this poem here this morning, in the spirit of reverie.
This man and I between us had five teenagers and a seven year old, so it was a miracle we lasted the year and a half that we did. All of the teenagers were acting up, no one was adjusting and, though I still loved him, I moved out to return my children to equilibrium, which didnt happen anyway. Within the next couple of years, three of them were out on their own.
I wrote this during our last months together. His favorite saying was "No easy answers", when what I wanted was commitment and "we'll get through this". The fact that my feelings never changed for him, and have lasted all these years, shows me perhaps I should have stayed. But I was accustomed to putting my kids first, and he let me go without protest, in itself an answer. In those days, I wrote on an old manual Underwood typewriter my Grandpa gave me when I was 11. I remember sitting out back in the indoor greenhouse, and typing this. I never had to change one word. I handed it to him, asking "Please dont laugh at me" and how he came to find me and hold me, after he read it. Sigh.
Here's the poem:]
THOUGHTS THAT DIDNT MAKE IT AS A POEM
September 15, 1983
sometimes I'd like
to just chase clouds
and dream,
roll downhill
through buttercups
and clover
and pretend
there'll be a time
someday
when all the
pain and struggle
will be over.
When I lie beside you
my tears are not for joy
(though there is joy
in all I've found
in you)
but for chagrin
that even in finding
all I have been seeking
it's still real life,
each day
with its own struggles
and I still must stay
so strong.
Not halving the load,
each of us packs
his own burden,
and all we can
hope to do
is try to comfort
and take comfort in
each other.
Hello,
fellow traveler.
Your path is
so like mine.
Like two oxen in a field
did we stumble
and stagger
over rocks
and hillocks
to meet
and try to pull
our load
in tandem.
How we fight
the bitter harness,
our eyes raised
skyward
to where
the world
is free,
up to our knees
in mud
with a head
full of dreams,
flogging
flogging
-to what avail?-
hello, Brother Dreamer.
When you hold me,
comfort
is the only word
I know.
I see
your spirit
striving
and I admire
your beauty
for surviving.
Let me help you.
Let me tell you
how you help me
by giving me days
when I feel life is all
I ever wanted it to be.
And on days
when my spirit
cries
it doesnt want
any more
just no more
pain and struggle,
you help me
just by being there,
you share,
and in your sharing
you bring forth
all my caring.
Hello, friend.
Your hand in mine
doesnt make
the load any lighter
but it sure
feels friendly.
And there is
a rightness
being here
with you
that I dont need
to put words to.
I'm glad
I didnt miss
this part of
the highway,
so much nicer
walking here
with you.
I'd have missed
so much
I'm learning
on my own.
And I may cry
sometimes
because
there is no
easy way
but all I have
to do
is look at you
to know
I'd rather
share the struggle
here with you
day by day
than take
the easiest path
leading any other way.
Monday, July 19, 2010
SMOKE GETS IN YOUR EYES

My mother always said my father was the only man she ever loved. She said I remembered only the bad times, and it is true that, looking back, all I remember is lying in bed at night shivering with terror, listening to the blows and screams and crashes in the living room.
But as my mother lay dying, in memory she returned to her most alive and vital years, the years with my dad, and she was able to say, as few of us can, "I had it all."
I was glad that, looking back, she could remember her life with happiness, that different memories lived in her than lived in me. There must have been a whole life hidden from my childish eyes that I was largely unaware of. Perhaps the best years were lived before I grew old enough to become aware of what seemed a steady deterioration through all the years after I was five years old, years in which our small nuclear family, and then our larger extended family, steadily disintegrated and scattered to the four winds, flung by separation, by rifts caused by alcohol and differing beliefs, and finally and irrefutably, by death.

My grandma always gave my father full credit for his charm. "When he was sober, there was no man on earth more charming," she'd say. I remember times when, face alight, at that critical moment when he had imbibed enough to be happy, just before he fell over the lip of the cup to rage and violence, when he could hold a crowded room in thrall, telling stories with full awareness that he had the gift of storytelling. He had wit and humor and intelligence, and most of all he had musical talent.
But "Brick's parent's rued the day when they bought him his saxaphone," my grandma would reminisce. My father had studied classical violin since childhood. I didnt know till later in life where my love of the violin came from. I never heard classical music at home, discovering it with a passion at twenty-seven.
"From the day he got his saxaphone, he was lost to them," Grandma recalled. The boy turned to the popular "swing" music of the era; he began playing Big Band gigs around Saskatoon. Now I often play that music, the music that filled our house when I was a child: I'll Get By, Stardust, Smoke Gets In Your Eyes, and that era is returned to me entire: a time equated in my mind with the home movies taken in those years, that roll once more before my eyes: my aunts and uncles, my mom and dad, in their glory years, all beautiful, all romantic figures from a bygone time, like the cinematic stars of that generation: my mom with her long rolled pageboy and tight skirt, soldiers in uniform, impossibly handsome, war brides with tight curls and distant gazes, glasses of liquor ever-present in their hands, cigarettes dangling at angles on their crossed knees, smiling out at the world through the smokey haze, feeling terribly sophisticated, the world their oyster.

Such nostalgia hits when I see these films, or photographs from that time now gone. Not, certainly, for the life I lived then, for it was scarey and lonely and sad, lived on the fringes of the adults' preoccupation with their own existence. But for the innocence of the era: the romance that Hollywood held out as being available to us all, through the love songs and movies and stars of the time. My aunts and uncles seemed utterly glamorous to me, like movie stars themselves. Looking back from the vantage point of forty or fifty years, knowing how their love stories turned out (or didnt), how the years, illnesses, deaths and the hand of fate would implode and disperse our family, I feel a great tenderness for us all, smiling hopefully into the wobbly camera, at a time when we still believed we all had happy endings up ahead, just waiting for us to get there.

My mother loved to tell the story of how she and my dad met. She had just dyed her long hair platinum. "I was a knock-out," she remembered happily. "I had long blonde hair hanging down my back and I looked good! I was sixteen trying hard to look older and your dad took one look, jumped over the piano and bee-lined straight across the room to come and meet me."
That was it for both of them. My dad at the time was twenty-seven, unhappily married and the father of three children, plus he drank and played in a band. My grandparents, in small town Saskatoon, in those times, were scandalized, as well as afraid for their daughter.
"I didnt know what she saw in him," Grandma would reflect. "He was balding, overweight, a drinker, married with three kids. But the more we objected, the tighter she clung to him. We couldnt do a thing with her."
But they tried. By then, Dad's wife had found out about my mom and had kicked him out; he rented a room near the club where he performed. Grandma told me late one night she and my grandpa let themselves into his rented room. In the darkness, hardly breathing, nerve-wracked, they waited for him to come home. My grandpa held a flashlight and, thin and gray and quiet by nature, a gentleman who had never raised a hand to man nor beast in his whole life, was goaded by my grandma to "settle this once and for all."
When dad opened the door, from behind it in the darkened room, out leaped my grandma and grandpa, tackling him in a wild melee of curses, yells, arms, legs and at least one resounding thunk of the flashlight on my dad's bald head.
When the three extricated themselves and stood facing each other, panting, my grandparents told my dad to leave their daughter alone.
"I think he would have, too, but your mother wouldnt let him. He tried to break it off, but she kept after him. We sent her to stay with Cecile (mom's married sister) in Regina for a while, but he went there to visit her and she came back with him," Grandma told me.
"I remember one night she came home late and crawled into bed beside me, and she was shaking. I think he already must have been beating her. She was still only sixteen and so beautiful. I remember we sent her photo to Norman Rockwell, and he wrote back and said that if she went to New York she could make it as a model. But she wouldnt leave him. How different her life might have been," Grandma reflected.
But my mom would not have wanted her life any other way. She loved my dad.
*** *** *** *** ***
My mom carried guilt all her life for the way she left home.
Still just sixteen, "All I knew was I loved Brick and had to be with him. They gave me an ultimatum, either Brick or them, so I had no choice. But it killed me to walk out the door, leaving both of them crying in the doorway," my mom would say. "It was the hardest thing I ever did."
It was ten years before she and her parents were in touch again. My dad's ex-wife wouldnt agree to a divorce, and I was born before they were married. In those days that was scandalous, and my mom did not know how to renew relations, though she adored her parents and missed them dreadfully.
By now we lived in the Okanagan Mission, on the outskirts of small-town Kelowna. Mom's younger brother, Don, came for a visit, and then Mom's sister, Audrey, paved the way for reconciliation, telling my grandma about me. My grandparents soon came out for a visit, and loved the orchard community. They moved out soon after to the house on Christleton Avenue that for many years was the hub of our extended family, and the nucleus for our family gatherings.
It was on that porch that the home movies were made, in that house my childhood security resided, and in that house that I watched the beginning fissure that alcohol wedged between my aunts and uncles and my grandma who "hated the drink".
But their lives through those years had a glamour the grandchildrens' lives lacked, like the Hollywood films of their era, a combined sophistication, innocence and hopefulness, lived on a level far distant from our childish lives and concerns.
Our subsequent liaisons seem tawdry in comparison, lacking both romance and imagination, rather the same difference I find in the songs of today compared to the music of my mother's age. Or was it the knowledge that life could aspire to being better that we lacked, given our early introduction to the bewildering world of grownups?
Whatever it is, when we run the home movies, or play the music from those years, it is the whole era's disappearance that we mourn, along with all the smiling faces that now are gone. There was a scent to the lake-fresh morning air, a certain comfort in the sound of the hose hitting canvas awnings, the smell of pinks and carnations and sweet peas, a quality to the summer afternoons just before a thunderstorm that cannot be replicated, only remembered, like a country once visited that can never be returned to, except in reverie.
I am the age my grandmother was in those long ago days, when she seemed as old as God. Her life was circumscribed by housedresses, tea parties, Church on Sunday and her flower garden. Those years seemed to go on forever, while my years are flying past more swiftly than I can comprehend.
My children are now the ages of those long-ago glamorous aunts and uncles who seemed so elusively out of reach and adult then, and they seem so young to me now, too young to be raising children of their own. I see young moms out pushing prams who dont look old enough to babysit, and then I know that I am growing old.
Looking back, with age and memory, at those old home movies, I start to put it all together: the love story that was my mother's; the distant dreams that shone in those hopeful faces made more poignant by my knoledge of how their stories unfolded. With a clutch at my heart, I surreptitiously wipe my tears away as the film sputters, winds down and the screen goes white: all gone, those bright faces from long ago, the 40's, the swing music, the love, the pain that I overheard from my bedroom doorway in the wee small hours of the morning.
I remember the last time my mother watched, and how hard she cried, those years forever gone, with nothing nearly good enough to take their place. Now she's gone too, one more face missing from the film of all those gilt-edged years, she and my dad resting side by side under a picture of them in their glory days, with the words "Together Forever" on the headstone.
I find myself more and more often listening to the tunes she danced to when she was young, the music of her long ago youth so much more affecting than mine, and I think of her as I sing along:
"I just smile and say,
when a lovely flame dies,
smoke gets in your eyes....."
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