Showing posts with label freedom. Show all posts
Showing posts with label freedom. Show all posts

Thursday, March 24, 2011

Uniforms

[image from google]

for Poets United Thursday Think Tank prompt: Uniforms

Their black and white robes
inspired fear, and awe.
Stern faces
peered out
from wimpled headdresses,
fierce, scolding.
Our consciences
boiled hotly
with our millions
of real or perceived
transgressions.
Even thoughts were
"occasions of sin".
Even dreams.
Especially our dreams.

"Your bodies are good,"
one lectured us,
which made us feel
hotly ashamed
that we even had bodies,
too uncomfortable
to think about
in a room full
of adolescent
boys and girls.

We wore uniforms too.
Hated pleated ones
with no style.
When we knelt on the ground,
our skirts must cover our knees
or we were suspected
of being "fast".
When I grew taller,
I couldnt say

I had no money
to buy a new skirt
and could not ask
my mother.
We were poor,
a shameful secret,
to be kept from my friends,
though the four
small cold rooms
we lived in
likely was a clue.

Once the fierce
angry little nun
who taught us music
fell off her stool,
so vigorously
was she conducting
the choir.
There was one
collective
indrawn gasp
of horror.
It was as if
Jesus had fallen
off His cross.
We were so obedient,
so in awe,
we did not move,
did not break ranks.
Her eyes flashed fire
and moral outrage.

No one would
have dreamed
of tittering.
She got up,
straightened
her tilting wimple,
climbed back up
onto her stool and,
shakily,
we continued
with our song.

Once at midnight Mass,
one of the Knights of Columbus,
a short rotund bald little man
with a shiny face,
self-important
in his Knights outfit,
dashingly and theatrically,
with a flourish,
aimed his sword at its sheath, 
and missed;
he had to try again,
somewhat chastened,
while the shoulders
of  the other Knights
shook gently and
some hands went up
to cover their mouths.

We saw
what nuns wore
at night
when their habits
came off:
on the clothesline
hung white
full-length
voluminous nightgowns,
and caps for their
shorn fuzzy heads.
Just seeing them
made us
uncomfortable.
They seemed
not to have bodies.
And, if they did,
we couldnt bear
to think about it.

At Mass, they sat
in contemplative rows,
reverent, but distracted,
their eyes piercing us,
wriggling in the pews.
We were
utterly mortified
if one of them
had to click
her clicker
to admonish
one of us.
Hot lava pouring
over our heads
with shame.

The rulers they carried
in the classroom
were to be feared.
They hurt,
across our knuckles.
There was never
a sound in the classroom.
There was total discipline,
that never, ever
eased.

The young priest
who said early Mass
one winter, caught
a terrible cold
that turned to pneumonia.
He kept on saying
early Mass,
us waiting in the pews
while his thin body was
wracked with
spasms of
exhausted coughing,
me watching
his upturned
radiant face,
so prayerful,
so dedicated,
above his  robe
of green and gold.

A uniformed world
designed to remove
individuality,
squash it,
raise us up
as a faithful
homogeneous flock.

The minute we reached
the exit,
at graduation,
we fled that world
with Godspeed,
and not one clue
about life
in the real world.
Lambs to the slaughter,
but frisky and
feeling our
newfound freedom,
we kicked up our heels
and cavorted,
those few moments
when it was
still and truly
ours.

Thursday, November 18, 2010

Remembering Jonathan


My friend Lynette posted a haiku and photos today for the Poets United think tank prompt: wings. She referred to Jonathan Livingston Seagull and reminded me about how pivotal that book was to my own odyssey to the sea.

Back in the Day, when I first read Jonathan, I was on a quest for personal freedom, having already experienced a fair amount of oppression in my marriage. Then I saw the movie, sound track by Neil Diamond, and was blown away by the pulsating beat of the music, the mesmerizing beauty of the images on the screen, and the resonating truth of the words Jonathan was speaking. I didn't yet understand that I was an ocean person. That came two years later, when I was making a car trip around the province. The Rockies, the Interior, all were beautiful, or pretty or pleasant to pass through. But when we turned the nose of the car up the Sunshine Coast, a short ferry trip across from the Lower Mainland, I began to erupt like a geyser as we turned each bend and there before me was the forest, the rugged coastline.

Soon I lived there, right on the ocean, and that is another story. In less than a year, we had to leave, and before long I was inland, raising my kids alone in Kelowna. I began to collect ceramic seagulls. I hung photos and quotes on my walls. I even took up bicycling and pedalled way out of town to the dump where - oddly - there were inland seagulls. I yearned for the ocean all those years.

The man I most remember gifted me one Christmas with three life sized cement seagulls perched on a huge nubbly piece of driftwood. When one wing emerged from the wrappings, I flung myself at him and smothered him in  hugs and kisses. Those seagulls went with me everywhere and, finally, to the front porch of my trailer in Tofino. I left them there, where they belonged, when I had to leave.

I stopped collecting seagulls in Tofino. I didn't need them, they were all around me. I had the real thing. I remember one winter afternoon, when I was the only human walking the beach at Combers, gray sky lowering, and a seagull flew past low, right beside my shoulder. I felt like I was in an outtake of Jonathan Livingston Seagull and smiled to think what a long journey it had been, and to know I had finally - finally! - come home.

I had forgotten Jonathan for a while, immersed as I am in my rural existence. It is time to play that album again, time to watch the movie. Time to remember that time of all times in my life, when I lived the truth of Richard Bach's words. When I reached high, when I flew farther than I ever had before. When  once I soared.