Wednesday, February 5, 2014

It's All Love, Charlie Brown


creator Charles M. Schulz



I sought love, in all its guises,
recoiled in pain, heart frozen, bleak.
Then "just give love" my friend advised me;
"Learn to give instead of seek."

So "I love you" to the river,
and "I love you" to the trees.
"I love you" to the furry creatures
walking at my knees.

"I love you" to the dawn,
and to the night when day has gone.
My heart grew full with all this loving,
I have built my life upon.

posted for Susan's way cool prompt at Poets United's Mid Week Motif: Love


Tuesday, February 4, 2014

Tribute to an Everyday Hero




Written for Gabriella's prompt at Poetry Jam: to write a tribute poem to someone we admire. I didn't have to look far!


He's a laid back kinda guy,
humble, quick to encourage others,
self-deprecating,
while seeing the best
in everyone else.

Loves his wife, adores his kids,
is a good dad,
makes them laugh,
really listens to them,
and teaches them
what they need to know.

He cares about his students,
cries with them,
- " I feel you, man" -
drives them to the hospital,
is there in their most desperate hours.
They still remember, and are grateful,
when they meet by chance
somewhere out in the world,
years later.
"How's it goin', man?"
he'll ask.
"Good? Great!
How's the baby?"

He never thinks he's doing enough,
yet he does more
than any six other people. 
When it comes to caring,
no one can beat him:
from the homeless man he 
exchanges smiles with every morning,
to the lady on the park bench feeding the pigeons,
he knows everyone on his beat.
He sees their humanity 
- our shared humanity -
and when he tells us their stories,
he makes us see it, too.

His stories make us smile,
or cry,
makes our hearts ache,
or soar,
but we always come away
feeling good -
feeling kinder.
He reminds us of those struggling humans
we need to keep on our radar,
so they don't fall through the cracks.

He's a good man,
this Brian of Waystation One,
one of the best,
with a heart bigger 
than all of Virginia,
an everyday hero,
who keeps doing what he's doing
to try to make a difference
in this world.
So I wrote this poem
to tell him "Thanks!"
and that - I noticed.





Monday, February 3, 2014

Prayer in Late Winter




Roll those lowering gray winter clouds back,
like pulling up a too-long skirt,
and show us a little "leg" 
- true-blue sky patches with floating cumulus -
to set us dreaming towards the birth
of another spring.

The sodden field lies waiting, fallow, 
where next summer's hay crop promises
to once again
 wave in golden splendor
where now clods of mud
cleave to the horses' hooves
as they search in vain for any remaining
blade of green.

Grandfather Cedar
stands stately and tall,
awaiting the March rains
to refresh his roots
and quench his long thirst, 
before heat returns to the land.
The willow weeps, drooping and leaf-forsaken
and the birch trees pray 
unceasingly
with blotched brown and white arms
to a heaven
that does not 
seem to hear.

The pond is dry, the bullrushes crisp and crackling,
its edges swampy, dormant, brackish,
yet, when the fog lifts, even in the cold,
one can feel the deadened ground
begin to stir, under the chilly distant sun.
Through cracks in the surface,
under the trees,
one can see stirrings,
snowdrops butting their tiny heads
through stagnant earth,
ferns and fiddleheads
suddenly straightening their stems,
once more raising their heads,
in that eternal dance
that is return to life.

February in the late-winter forest
is when winter tiptoes away,
and everything brown and dead 
and yearning towards green 
stretches itself once more
towards the sky.

And so do
I.

Sunday, February 2, 2014

Not Someone Else's Daydream






Conventional husbands of the sixties quaked
when their wives discovered Ms magazine 
and The Feminine Mystique.
We looked in the mirror and discovered
our eyes had grown determined.
Our wings flapped and fluttered 
against confines
until we bent the bars
with the force of our will,
the cage door opened,
and we burst through.

There is more pain in birthing self
than birthing others.
Much bleeding, and much healing.
Some thoughts in desperate midnights
of giving up
but we stuck around in hopes
it would get better.

Mostly, it did.

The jackals had come 
to feast upon our bones,
but a wily raven warned us,
so we spirited them away.
Within the forest deep,
we put them back together
with owl songs and wing feathers,
and learned a language
of our own making.
Then we re-entered our lives
as ourselves,
no longer 
someone else's daydream.


for Kerry's fantastic prompt at Real Toads: Individualism. Three wonderful examples are given: Anais Nin, Alice Walker and Anne Sexton. These are the thoughts that came. The 70's were a pivotal time for me, and for the women of my day. Consciousnesses were being raised all over the place, and it was not the greatest time to be a chauvinistic male. 



Saturday, February 1, 2014

Bright Little Blackbird

turbosquid.com



Eliza Blackburn
had black sparkling eyes
just like a little Blackbird.
She carried her 
clunky plastic purse
over her right arm,
as if she was just going off
to  market.
She always wore an apron
over her frock,
as she had all those busy years 
spent cooking and cleaning
for her family.
Her hair was still black, no silver,
worn long and tied back,
a source of pride 
among all the other white-haired residents,
but she was no longer "there" 
enough to know.

Every morning,
after breakfast,
she'd begin. 
She'd come in one door 
of the big kitchen and ask:
"Has anybody seen Jeannie Worthington?"
Jeannie was her daughter, 
who came every afternoon
at four o'clock.
"She'll be here later, Eliza,"
we'd say and, every time,
she'd reply, sweetly,
"Okay. Thank you".
Out the other door she'd go,
then back around, 
popping brightly in 
the first door, to inquire brightly:
"Has anybody seen Jeannie Worthington?"
"She'll be here later, Eliza. 
At four o'clock."

This went on all day.
In the afternoon, she would be
getting very tired
from all the walking,
all the asking,
all the waiting.

One afternoon,
I gently suggested 
she might like to sit down.
New thought.
She sat, then in a moment 
of rare clarity,
looked at me and
in her eyes I could see she was, 
if only briefly,
in that moment, there.
"So what'm I supposed to do with it?"
she asked, with great humour,
and we shared a chuckle,
woman to woman,
at the general absurdity of life.

Then,
"Has anybody seen Jeannie Worthington?"
and she was on her feet
and circling,

purse over her arm, 

once again.


posted for dVerse, where Karin's prompt is to use repetition in a poem. In this case, the subject, rather than the poet, employed the repetition.........this is a little lady who lived in the care facility I worked in in the '80's in Kelowna.

Friday, January 31, 2014

Beautiful Africa!



Kids, last night it was my privilege to see the Watoto Children's Choir perform in my little town, on their cross-Canada tour. They are touring to raise money to fund the orphanages back home in Uganda, full of children orphaned by AIDS. Fourteen million AIDS orphans struggle to survive in Africa. 

Kids, as I watched, I was overjoyed and heartbroken at the same time. The children are so vibrantly alive, so joyous, singing and dancing and leaping all over the stage with such energy. And each one of them has a story, some of which they told – all have been orphaned by AIDS, all have known hunger and having no one to love them. This mission took them in, creating an entire village for – and of – them. 

I didn’t cry during their stories of what had happened to them. But I fought the tears and my heart ached as they were singing and dancing. I was choked up by their resilience, their radiance, their joy in life, after so much sorrow and loss. Because that is what life is – joy and pain – loss and abundance - abandonment and rescue. 

[If you want to learn more about the Watoto community model, here is the link to their vision: family homes, not institutional living, schools, vocational training, gardens.........the vision of its creators, Gary and Marilyn Skinner.]

Just in the little corner where I sat, in the audience, I saw other stories, if not so desperate. In front of me was a mother in her fifties and her adult autistic son, who rocked gently during the program. I watched their loving interactions and recognized: hers is a hard path, but she has a purpose greater than herself, in caring for her son. She accepts her path, and makes it a loving one. Beside me was my little sojourner Sebastian, age four, who in his short life has been taken from his family of origin, who talks about "my social worker", and who, in his foster home, lost his "Papa", whom he adored, in 2013. And his foster mom, my friend, who lost her beloved husband, who died three weeks after being suddenly diagnosed with lung cancer.  And me, also with stories of loss and resilience.

I watched these children, radiant and shining, whose stories broke my heart, then healed it again, and came home with a very full and grateful heart, to be part of this marvelous tapestry of life, this community of souls - and filled to the brim with the beauty of Africa, beloved country - filled with the beauty of life.


Thursday, January 30, 2014

A THOUSAND YEARS OF LIVING




When we walk through speckled landscapes where the shape-shifters dance,
we are walking in the footsteps of the ones who came before.
There are signposts they have left us all across the forest floor.
A thousand years of living - we dont set our sail by chance.

We are walking in the footsteps of the ones who came before.
The Old Ones' songs I hear upon the breeze.
A thousand years of living - we dont set our sail by chance.
I sing wolfsong to the mountains and knock on midnight's door.

The Old Ones' songs I hear upon the breeze,
under my feet the brittle leaves of summer past.
I sing wolfsong to the mountains and knock on midnight's door.
The night air whispers: here you are, at last! 

Under my feet the brittle leaves of summer past.
There are signposts they have left us all across the forest floor.
The night air whispers: here you are, here you are at last!
Walking through a speckled landscape where the shape-shifters dance.

A pantoum, but the lines are too long for the margins, so they dont fall the way they should.