CLAYOQUOT SOUND HAIKU

 

Wolf Spirit, your call

from your misty mountain lair

sends my soul keening

*

footprints in the sand

my heart follows where they lead

till I'm home again

*

bonsai in the bog

a little touch of Asia

in Clayoquot Sound

*

shore birds on the sand

lift and dart and land as one

I watch in awe

*

in the following I tried 7-5-7

Luna leaves as Sol arrives

Sun and Moon - same sky

little boat chugs happily

for Rall's Senryu Sunday - haiku and senyru have the same 5-7-5 count. 

Remembering

 

There should be nothing here I don't remember.*

The ferry that crossed the lake back then,

that I thought would have wings,
making my father smile, is gone,

but I see that smile today, remembering.

The shore is still lined with weeping willow,

watered by the tear-streaked dreams of my youth.

My mother was so beautiful then,

with her long blonde curls and big blue eyes,

like a movie star, but fraught, at 

what alcohol did to my parents' love affair.

There should be nothing here I don't remember.*

Our house looked out across the lake

to the Big Blue Hills. My first dog, Dinky,

a black lab, and two turkey gobblers as big as me,

paced the driveway with me, a turkey on each side,
keeping me safe,
knowing I was too small to be walking there alone.

When my mom came out to check on me,

they spread their wings, flapping, and hissed, 

chasing her back inside.

I had so many dreams, in Kelowna days, 

of how life would be, when pain would have ended,

and happiness would be mine to live.

They did not come true, but ones better

than I ever could have dreamed

arrived instead, taking me on

the most breathtaking journey.

I had so many helpers and guides

to show me the way along a path of awakening,

bright as sunrise over the mountains,

I gasping at the wonder of it.

In old age, now, tears and gratitude 

for all of life, its pleasure, its pain, at times

that will not come again, I awash

at the joy and ache of it, the beauty

of the journey, for all that has been lost,

for the courage of living fully,

and not minding the cost.

Because - as the poet said so reassuringly -

All that is lost is not lost.*

It is sometimes an interesting exercise to take lines from someone else's poem and create a new poem from it.  I was inspired by Richard Blanco's "Looking for the Gulf Motel." I love his work.

Wild Woman on Aging

Everything in nature erodes gracefully.

But here comes Wild Woman, on the hobble,

one foot ponderously after the other: oops!

a gnarly tree root discombobbles.

The tree leans and cracks

like the fissures in her face,

and her daily prayer is simply

for a little pool of grace.

Still, for all she's learning,

she doesn't want to go.

She'll miss Mother Nature's

enchanting, never-ending show.

She is always Looking Up.

There's a Sky Show up above,

so much beauty everywhere,

so much loveliness to love.

Wild Woman almost bites the dust

as she goes hobbling by,

because she's got her head tipped back,

grinning at the sky.

Here comes Wild Woman,

eighty years around the sun,

with memories so clear

of when her life had just begun.

The journey to today has been

one amazing ride.

Wild Woman will leave cackling

on an outgoing tide.                    

LOL. Some fun for the open link at What's Going On. The idea is to take lines from another poet's poem and write a new poem. I chose lines from "You Ask About Aging" by Mark Nepo. The italicized and much more poetic lines are his. 

As What's Going On closes its doors, I will try to find our faithful friends  in the blogosphere, so we can keep on sharing our poems.

You Ask About Aging
by Mark Nepo

Everything in nature erodes gracefully.
The tree leans and cracks. The mountain
rounds for decades in the wind. The banks
of the river bow to where the river wants to
But we, so aware of being here, fear the
slightest change. My elbow is sore. Your
heart is slowing down. And just yesterday,
an old friend flew away like a bird with a
broken wing. Still, for all I have learned,
for all I am learning, I don’t want to go.
Though like the tree on the ridge that
has grown sideways toward the daily
twist of light, I see no greater destiny
or simplicity than to be stripped of all
pretense and want until all that’s left is
a branch of being waiting for its wind.

SPRING RAIN

 

Spring rain is playing timpani on salal

along the fence. It taps the skylight

with insistent fingers, looking for

a way in, as I listen to its ancient melody.

The forsythia recently shed
her frothy spring dress,
and the Japanese cherry is ready
to burst into bloom.

Such beauty!

Their time to shine goes by so fast,

like weeks, like years, like life,

here and gone before we tie up

all the ends. (Some ends don't ever

want to tie. We leave them be.)

On Rhodo Hill,

deep magenta and purple blooms

look like the ball gowns

of antebellum debutantes

swishing downhill

on their way to a soiree.

Spring rain, gentle, to nourish

and not break

the buds so close to opening.

Let my heart

stay tender, when the world lets me down

and everything feels wrong.

Let me listen to the rain's one note

and hear a beginner's song.*

Inspired by "Rain, New Year's Eve" by Maggie Smith. The italicized lines are hers. I wrote this in June, and didn't post it.

Coffeehouse Days

There was a frozen Siberian wasteland

living in my chest, back then,

born of trauma upon trauma,

that had closed me up, kept me

in retreat inside the safety

of my cottage, living only for

and with my children.

But something drew me

through that door, 
something that wanted me to live:

stepping into the coffeehouse

where the gentle, loving people were,
my journey took
a magical turning
that was meant to be,
so I could learn
how to be more fully me.

There they all were, the dreamers

and the seekers, who lived gently

on the earth. They beamed their kind smiles

and love on me until the ice around my heart

began to melt, and my closed-tight petals

slowly began unfurling, one by one.

A budding hope quivered in the summer breeze.

for Mary's prompt at What's Going On: Inspiration from the work of Tove Ditlevsen. The italicized line is from the poet's poem "Memory".
 

SMALL KINDNESSES

Edgar Allen Crow

by Pennybright Studios

A small, weary philosopher sits
on my left shoulder, muttering in my ear:
"There's no hope; clearly
the world has gone mad".

But then, an old woman fleeing
the wildfires, her house burning behind her,
says, with tears, "People are so kind",
because of all the helpers who appear
in tough times like these.

We are pleased to observe the kindness

of people to each other when things are
dark and scary. We applaud those who
stand up, reach out, object.
We love the helpers.

This is what we tend to see on the news:
a population at odds
with its own inner knowing,
in danger of forgetting how to
dive within and tap into our greatness.

When we focus our gaze on the small things,
life grows happier: how the surfer
stands up on the lip of the wave and
slides softly down - her joyous shriek;
the kindness in dogs' eyes, their tails wagging
an endless happy-to-meet-you.
(Let's all be like dogs.)
We stop to ponder the dewdrop
on a morning leaf, six fat robins on the grass
listening for worms. (We listen, too.)

Since the small philosopher and I are old,
we are free to be as odd as we please:
to pontificate, or cease from speaking
altogether; to be amazed by every blossom,
every bird, the way a cloud puffs
perfectly against the sky, as if seeing them 
for the last time, as one day we will.

For so long we "sought the approximate
weight of sadness*," but in the end,
it is joy and beauty and the possibility
of peace which frees us. It is kindness
in twinkling eyes, in "how can I help you?",
in "have a wonderful day!"

It is those heroic folks going into the flames
to put out the fire, while everyone else
- and all the terrified wild creatures -
run the other way, who remind us that
we humans have it in us to be
completely awesome.

My weary philosopher is tired now,
nodding off on my shoulder, ready for
a morning nap. I shall be kind and stop
my annoying tapping on the keys
that are keeping her awake.
But I close with the words
of that old woman on the morning news,
who just lost everything she owns,
and all she had to say, with tears, is
"People are so kind!"

*Inspired by "The Metaphysicians of South Jersey" by Stephen Dunn. The italicized line is his.

for my prompt at What's Going On: Small Kindnesses

WILD WOMAN TELLS ALL

 

Wild Woman, Indicating the Direction

Listen up, kids, because

Wild Woman has a few nuggets

of hard-won wisdom to share.

Call 'em Crone Crunchies,

because you can put toppings on them,

and try to make them sweeter,

but in the end,

you're still eating what's underneath:

good for you, if not especially tasty.

 First, you will look all over:

another book, another path,

a different place, a different life,

tried on like your Grandma's old hat,

beautiful in its day,

but bearing no resemblance

to the life you will eventually

call your own.

You will look to person after person

to be that Other who will magically

make you whole,

then find out it is an Inside Job.

Sorry, for that is the hardest truth I know.

Also difficult, but necessary,

is looking Within

and discovering that,

contrary to all your misgivings,

you are not more horrible or less deserving

than any other human.

You'll do, in a pinch.

You will give of yourself till you are

stripped bare, yet it will never

seem to be Enough.

Enough is what, eventually,

you will discover

you are left with, after you stop

all the Looking and the Doing,

and you down-size on

the Reclamation Projects,

for there clearly isn't enough time

to save the world,

or anyone, really, but, perhaps, yourself.

Enough is what's left after you strip away

what doesn't serve you,

sit on whichever porch you've landed up on,

and just stare at the sky

and listen to the birds.

After all that striving and searching,

isn't it a bummer it took so long
to discover

that it's just that easy?

for Susan's prompt at What's Going On: Talking / Conversation