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Wednesday, October 24, 2012

A TERRIBLE BEAUTY


"and where does the phoenix go,
singing its stricken lament of terrible beauty,
its music coming from inside us,
our grief turned magically to song,
soaring away on flame-bright wings?"

from Long Game Ended, Time to Leave the Air,
Half-Blood Poems Inspired by the Stories of J.K. Rowling
by Christine Lowther

At Real Toads today, Kenia's Wednesday Challenge is to borrow a line or lines from a friend's poem, and use it as the leaping off point for a surrealistic poem of our own. My friend Chris Lowther is a highly gifted poet living on the West Coast of Vancouver Island. She has several books to her credit. I have been a fan of her work for a very long time. Chris can be found at The Natures of Christine Lowther. The lines I have drawn from , above, are italicized in my poem. I feel quite brave, putting her words in a poem with mine, so long have I admired her amazing talent.

Christine's mother was noted Vancouver poet Pat Lowther, her work highly esteemed at her untimely death in the 70's, and highly regarded still. In her daughter's gift, her talent still lives.

Where has it all gone,
scattered like pebbles
from a toddler's pail,
profligate,
as if there will always be More,
until, suddenly, there isn't?

Look back
down all of those sun-bright years,
the dark and the light,
the bitter and the sweet,
such a terrible beauty,
mixed in the crust of parched earth,
slaked by a madman's draught
at the very last moment
before expiring.

The dying's last request
is always for water,
my grandmother's long white finger
pointing at the glass
when no more was she
able to speak.
And water,
that single tear
rolling down her cheek,
as she said goodbye to it all
and began that slow slow walk
on the mountains of the moon.

The older one grows,
the heavier that backpack of grief,
an endless well
we can draw from at random,
our grief turned magically to song,
a heartbreaking lament
that catches in the throat,
prickling, like cactus,
a lump of regret
that can never
be swallowed,
as the hot tears
roll down one's cheeks
because it is too soon,
too soon,
to be faced with leaving.

Too fast it all goes.
Towards the end life 
begins to gallop
like a willow-whipped horse,
frothing and frantic 
to escape the lash,
hooves relentlessly pounding,
carrying us off,
all unwilling,
with still so much to do,
doomed riders
in a race
to the unknown
on which we wager
the biggest long shot
of our lives:
that somehow
we will still continue on
after death.

My kit bag of memories
is filled to the brim
with all I was given:
more laughter than tears,
more challenge than ease,
more gratitude
than can be expressed
for this magical realm
where a leaf is a miracle
and a red fox sheer brilliance,
where the gray wolf howls
through our very souls,
where loneliness
and fullness
compete
for the very same square inch
of living space
in the hearts of the solitary,
and where 
daybreak and hellfire
alike streak the sky
with Van Gogh's palette,
whose stars set us dreaming
into the dark
of that welcoming Night.


24 comments:

  1. How interesting that of all her words you selected "terrible beauty" an oxymoron first coined by another poet, and surely inspiring Lowther. The line: 'a terrible beauty is born' was written by WB Yeats in the poem Easter 1916.

    I loved where the words took you, and in turn, found these words of yours especially emotive:

    The dying's last request
    is always for water,
    my grandmother's long white finger
    pointing at the glass...

    You write so well of old-age as an ordinary tragedy, Sherry, but it hits hard every time.

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  2. All the senses in there, Sherry, and I like the way you draw in the painted image as well as the word-drawn one. That seems to be a factor in the surrealism movement over the decades when it held reign.

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  3. Gorgeous, gorgeous imagery in this one. Very nicely done, Sherry!

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  4. "where a leaf is a miracle
    and a red fox sheer brilliance,
    where the gray wolf howls
    through our very souls,
    where loneliness
    and fullness
    compete
    for the very same square inch
    of living space
    in the hearts of the solitary..."

    I don't know about anyone else relating to that brilliant bit tossed into the mix, but I know it made my heart leap.
    Wow do you write well.

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  5. Great lines to quote from Sherry.
    This is very touching. I'm sure your backpack with be full to over brimming as you toddle off happily to meet your Pup.
    Deeply felt as you described how they dying always ask for water knowing it is so.
    Another lovely write. A day of rest does you good :)

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  6. Both grateful and moved here, Sherry. The bits in italics were JK Rowling's words from Harry Potter and the Half-Blood Prince. They describe Fawkes' the phoenix's grief when Dumbledore was murdered. So moved by what you say about red foxes, and I'm sure you're not seeing them here on the island? (I wish.) The last 13 lines of your poem speak to me so deeply. Nothing I can say here can really do justice. xo

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  7. Sherry, at the end of the day, this poem is overwhelming. I think that it really captures the meaning of of the words used by Yeats in Easter 1916--"terrible beauty"--life's journey is full of it as seen in your poem.:)

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  8. "scattered like pebbles
    from a toddler's pail,
    profligate,
    as if there will always be More . . ."

    balances brilliantly with:

    "The older one grows,
    the heavier that backpack of grief,
    an endless well
    we can draw from at random . . . "

    AND

    "My kit bag of memories
    is filled to the brim
    with all I was given:
    . . . "

    I started sending you hugs at:
    "that single tear
    rolling down her cheek,
    as she said goodbye to it all
    and began that slow slow walk
    on the mountains of the moon."

    We are all pail and bag ladies, using scattering saving but some (like you) see it all as gifts in the end, and respond with gratitude even when "loneliness and fullness compete for the very same inch of living space . . ."

    Hugs. This poem is a blessing for me too.

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  9. Oh my Sherry. This is so, so beautiful. I think it's my fav of yours so far. I love the way you weaved hope, sadness, joy, grief and so many other emotions in this lovely way of waiting for out night. And I do think you and I will welcome it, in spite of all the things we leave undone. Sherry, this poem just touched me deeply.

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  10. This is so moving and beautiful. I needed the comfort it brought today. My sister sent me a text that our parents estate would finally be settled. My heart still misses them so and with your words it has brought me peace on this day of tears. Thank you.

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  11. This captures so much raw emotion and truth...the part about the dying's last request, the willow whipped horses your entire last stanza...image of the fox...so much to really grasp in this poem...bringing deep meaning and introspection. Really great job, Sherry.

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  12. aloha Sherry Blue Sky - this approach to transition does bring a surreal sense to life. it's surprising how the look back changes from standing point to standing point. may be the most surreal thing about life is death. and yet to live we all have to go through this door on our way out. you have some great images in your words. the finger pointing at a glass - powerful. and yeah, that lingers with me too. aloha.

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  13. This is brilliant, Sherry. You may have borrowed words from someone who borrowed them from someone else, but they are yours in this splendid poem. You are an artist with words, my friend.
    K

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  14. And water,
    that single tear
    rolling down her cheek,

    we are all so alike, needing the same things to live, to die. Water, love, forgiveness. Just a beautiful poem and one you bring all the images you love from nature.

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  15. This is a wonderful narrative. And I think you've put something right in the crosshairs: It's all about the battle over that square inch. Very fine.
    Steve K.

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  16. This is unbelievably sad. The words are so rich and beautiful in their grief. I'm very impressed.

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  17. Here's to daybreak and hellfire colours in all their glory...How else would each new day find energy to be born?

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  18. wow, Sherry, that first stanza is so perfect that i'd like to cut it out and stick it in my wallet or bureau so i can refer back to it. maybe i'll do just that! :)

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  19. This is quite a remarkable accomplishment. It takes several readings to do it justice and 'taste' the facets of this prism of life.
    Further to our discussion on presentation ; long/short lines: this is perfect!

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  20. Beautiful word craft Sherry! Perfect choice of real poetry that one rarely sees. The words flow smoothly and leisurely but sadness is there Takes great talent here!

    Hank

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  21. Sherry, there is indeed a terrible beauty to death. We cling to the hope of a hereafter; in fact, many folks, especially Christians I know, waste half their lives fretting about it instead of helping others!

    There is a majesty to the full work, but the simple water/water analogy, the drink of water and grandma's tear, broke my heart. I had to "syringe" water into my mother's mouth on her deathbed by sucking some into a straw and letting it drip into her mouth. The water comes, the water escapes. We are mostly water, anyway. Thank you for this lovely meditation and for introducing another fab poet. Love, Amy who just crawled out from under yet another gremlindeep rock...

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  22. It's when I read poems like this that I get how our best work is so because it's evident that we stand on tall shoulders, carrying on an old work. "Terrible beauty" was coined far longer ago than Rowling or Yeats, it existed when the vision first pierced a heart with that singlular spear of awe and awfulness. Your introductory comments about the poet you admire and her mother were the emotional and poetic territory I think you best ventured out from to stake your own, to say it in your own words, what we so love and grieve. You have a lot in that kit bag to offer, Sherry. Keep putting it to use.

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  23. thank you so much for linking me to this fine poem of yours. there is so much here! I found the image of your grandmother pointing at the water glass especially poignant. thank you.

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